Minari (2021)

Lee Isaac Chung, a fairly unknown name in this part of the world (although everyone should check out his 2005 short, Sex And Coffee) has pieced together a low key masterpiece in Minari. In a time when the so called 'American Dream' has ploughed through so many different iterations of itself to a point where no-one really seems to know what it is anymore, Chung sets his sights on a Korean family who move to an Arkansas farm in search of their own form of the dream. The troubles and difficulties of the move are instantly seen in arguments between husband and wife, Jacob and Monica, whilst their two children, David and Anne excitedly explore the new surroundings without understanding fully what's going on. The family theme is brilliantly approached, the cultural differences are crafted as both hampering and helpful, and Chung paints a wonderful picture of a small Arkansas community, who are hugely welcoming and friendly to the family. Although the performances across the board are superb, the film is almost completely stolen by Yuh-jung Youn, who brings down the house as the children's Grandma who comes to live with the family. Youn should clean up at awards season, her portrayal is simply astonishing, both hilarious and heartwarming. Chung has produced what will surely be one of the best films of the year, and you should do all you can to track it down. 8.0/10