THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Edgar Wright's adaptation of Stephen King's novel is a huge step up in quality from the original 1987 Arnie version.

Darren Thornton's Four Mothers, is a frankly ludicrous film in terms of its premise- but eventually settles into an enjoyable comedy.

The true story of a man who conned a CBS game show is enjoyable, if ultimately insubstantial.

Kirk Jones biopic of John Davidson, a man who taught the nation about Tourette's Syndrome is a fine piece of work.

How on earth could a Naked Gun reboot be any good? Well....

All in all, The Bad Guys 2 explains its own existence rather well.

The eighth installment of the Jurassic Park franchise has nothing to say, and says it badly.

Pixar's latest has been delayed for a year. It's been a while since they stumbled on something truly great, so how does Elio stack up?

Wes Anderson's latest might be the most Wes Anderson film he's ever made. We've heard that before.

Another Simple Favour is one of the worst films I have seen in some time.

Dog Man is mayhem of the highest order- and in this case, it's far from a bad thing.

Another entry for the SpongeBob Universe, one which makes no more or less sense than its predecessors.

Mickey 17, Bong Joon-ho's first film after the Oscar winning Parasite (2019), is an enjoyable sci-fi thriller with standout performances.

Latvian's entry for the Academy Awards, Flow deservedly walked off with the Oscar for Best Animated Feature this year. It's a joy.

Bridget returns for her fourth-and surely final- outing.

A Real Pain is written, directed by, and stars Eisenberg as one of two Jewish American cousins traveling to Poland.

This fast paced fictionalised origin story of the Irish rap group is thrilling, offering many an important history lesson.

After much cajoling and promises of toys and other such things, I finally persuaded my daughter to come and watch The Wild Robot with me.

Don't let the '4' fool you, this is very much the sixth installment in this enormous franchise.

Quentin Dupieux's film making is odd to say the very least, and Yannick is no different.