THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

This is a film whose surface sparkles with nostalgia and invites you to spend time admiring its style while hoping you forget the lack of substance.

David Mackenzie is back on form after 2025's disappointing Relay with this no holds barred London set thriller.

Hugh Jackman has been mercilessly promoting this new cosy crime caper leading up to its release, or perhaps it just feels like that because he's featured on an advert for the film during every trip to the cinema in the last month.

Rose of Nevada is a master at work, a craftsman so attuned with his tools that you stop watching the film and start inhabiting it. And I'm not convinced that it's even his best film.

Paolo Sorrentino and Toni Servillo reunite for La Grazia, a funny, melancholy and gorgeous film about grief, regret and power in Rome.

For those with no interest in football, Saipan might be a tricky sell. But filmmakers Glenn Layburn and Lisa and Barros D'Sa prove you don't need to have such curiosity in the sport itself to find Saipan both fascinating and often compelling.

The Drama, starring Robert Pattinson and Zendaya, continues Kristopher Borgli's trend of biting satire albeit with a very relatable twist.

Andy Weir's novels are seemingly ripe for adaptation, and Phil Lord and Chris Miller's adaptation of Project Hail Mary is a blast.

Sirāt is a blast on the senses, and needs to be seen on the biggest screen possible.

There's a lot been made of Kaouther Ben Hania's new film, which proved a huge talking point at the Venice Film Festival when it premiered there last year. It tells the horrific ordeal of the titular six year old girl, who was killed by the Israel Defence Forces in Gaza back in 2024.

It feels like a long time now since we had a truly brilliant Pixar film. Can Hoppers change that?

Crime 101, directed by Bart Layton, is adapted from a story in Winslow's 2020 novella, Broken. It's a Michael Mann film in all but name.

Kleber Mendonca Filho's new feature pretty much defies categorisation- it's an astonishing piece of work.

Park Chan-wook brings his usual mayhem to his latest feature, the tale of an unemployed paper worker, You Man-su (Lee Byung hun) who hatches a plan to murder his way back into the job market by killing off the competition.

Richard Linklater's recreates the making of Jean-Luc Godard's influential 1960 debut À Bout de Souffle in this gorgeous homage to New Wave.

A straight to Netflix thriller starring Matt Damon and Ben Affleck has its positives and negatives.

Nia DaCosta takes on the task of trying to inject some life into the 28 Days Later franchise. Or death perhaps.

Chloe Zhao's adaptation of Maggie O'Farrell's novel has simply bowled over critics and audiences alike.

There's another SpongeBob film out. And it's still mental.

Rian Johnson returns to the Knives Out franchise, with impressive results.