THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Set in a world where a tyrannical President Rabbit has monopolised the global carrot supply, Wang's film tells the tale of a husband-and-wife rabbit duo who fight back against the establishment.

Elena Parasco's gorgeous new short is set across a single afternoon in Queens as we get up close and personal with two young men, Tilo and Rune, who have shared a decade-long ritual of collecting and listening to answering machine tapes from vintage stores across New York City.

Rose of Nevada is a master at work, a craftsman so attuned with his tools that you stop watching the film and start inhabiting it. And I'm not convinced that it's even his best film.

Paolo Sorrentino and Toni Servillo reunite for La Grazia, a funny, melancholy and gorgeous film about grief, regret and power in Rome.

For those with no interest in football, Saipan might be a tricky sell. But filmmakers Glenn Layburn and Lisa and Barros D'Sa prove you don't need to have such curiosity in the sport itself to find Saipan both fascinating and often compelling.

Sirāt is a blast on the senses, and needs to be seen on the biggest screen possible.

There's a lot been made of Kaouther Ben Hania's new film, which proved a huge talking point at the Venice Film Festival when it premiered there last year. It tells the horrific ordeal of the titular six year old girl, who was killed by the Israel Defence Forces in Gaza back in 2024.

Crime 101, directed by Bart Layton, is adapted from a story in Winslow's 2020 novella, Broken. It's a Michael Mann film in all but name.

Kleber Mendonca Filho's new feature pretty much defies categorisation- it's an astonishing piece of work.

Richard Linklater's recreates the making of Jean-Luc Godard's influential 1960 debut À Bout de Souffle in this gorgeous homage to New Wave.

If you've seen the posters for Marty Supreme, you'll no doubt have seen a huge number of four and five star reviews plastered all over it.

Richard Linklater's latest film is one of his finest.

The Netflix sensation- that's actually rather good.

James Griffiths gentle comedy is one of the finest of this year, with a brilliant performance at its centre from Tim Key.

Kelly Reichardt's latest might well be her best- and that's saying something.

Kathryn Bigelow's new film gets a tiny cinematic release, but that doesn't remove any of its impact.

Cillian Murphy proves once more that he's just as good in the minimalist films as the big blockbusters.

Kirk Jones biopic of John Davidson, a man who taught the nation about Tourette's Syndrome is a fine piece of work.

Every time Paul Thomas Anderson releases a new film now, all hell breaks loose.

Only Leo Carax could offer up something like this- a forty minute tour-de-mayhem autobiographical piece of cinema that is as conceptual as any of his feature length films.