THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Richard Linklater's latest film is one of his finest.

The Netflix sensation- that's actually rather good.

James Griffiths gentle comedy is one of the finest of this year, with a brilliant performance at its centre from Tim Key.

Kelly Reichardt's latest might well be her best- and that's saying something.

Kathryn Bigelow's new film gets a tiny cinematic release, but that doesn't remove any of its impact.

Cillian Murphy proves once more that he's just as good in the minimalist films as the big blockbusters.

Kirk Jones biopic of John Davidson, a man who taught the nation about Tourette's Syndrome is a fine piece of work.

Every time Paul Thomas Anderson releases a new film now, all hell breaks loose.

Only Leo Carax could offer up something like this- a forty minute tour-de-mayhem autobiographical piece of cinema that is as conceptual as any of his feature length films.

Two Americans wake up in Dakar with explosive devices attached to them. Willem Dafoe is soon in their ears, telling them exactly what he wants them to do....

David Cronenberg returns to our screens once more, this time through gravestones, in what might be his most personal film yet.

Ethan Hunt returns for what appears to be the final time, in an insane conclusion to the series.

Louise Courvoisier's debut full length feature is a rich, enchanting and frankly glorious piece of film making.

Alex Garland's astonishing portrayal of combat might be one of the purest forms of cinema put to screen.

Steven Soderbergh's new film sees him firing on all cylinders.

Nickel Boys is a gut-wrenching, beautifully made film that lingers in your mind long after the credits roll.

Latvian's entry for the Academy Awards, Flow deservedly walked off with the Oscar for Best Animated Feature this year. It's a joy.

A Real Pain is written, directed by, and stars Eisenberg as one of two Jewish American cousins traveling to Poland.

A near four-hour film spanning over thirty years, reviving the format of Vistavision, Brady Corbet's latest is epic in every sense.

This political thriller, dealing with the events of the Munich Olympics terrorist attack by Black September, is utterly relentless.