THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Ryan Coogler's foray into horror (sort of) is a fascinating and frustrating experience.

Nickel Boys is a gut-wrenching, beautifully made film that lingers in your mind long after the credits roll.

James Mangold's Bob Dylan biopic is anchored and driven by an excellent central performance by Timothée Chalamet.

A near four-hour film spanning over thirty years, reviving the format of Vistavision, Brady Corbet's latest is epic in every sense.

This political thriller, dealing with the events of the Munich Olympics terrorist attack by Black September, is utterly relentless.

Robert Eggers's remake of FW Murnau’s 1922 German expressionist silent film is, as you'd imagine, quite something.

This fast paced fictionalised origin story of the Irish rap group is thrilling, offering many an important history lesson.

Steve McQueen's latest is solid but unexpectedly slight.

Conclave isn't the first of Robert Harris' fictional work to be adapted for the big screen, but it's without the biggest release so far.

The true story of Edgardo Mortara, a Jewish boy who was taken away from his family by the Catholic Church in 1850's Bologna.

After nearly a quarter of a century, Ridley Scott returns to Rome for some swords and sandals action.

Cillian Murphy is superb in Tim Mielant's low key Irish drama.

The astonishing tale of Lee Harper, an American model turned photographer who became a war correspondent during World War II.

Cédric Kahn's film is a gripping courtroom drama anchored by an excellent performance by Arieh Worthalter as Pierre Goldman.

Kevin Costner's passion project begins (and possibly ends) with this astonishing piece of cinema.

Felipe Gálvez Haberle's debut feature is a brutal and uncompromising take on the exploitation and colonisation of Tierra del Fuego.

Wicked Little Letters' trailer sells it as something that is slightly misleading.

Caligula dances the tightrope between art and porn before diving headfirst into a pit of filth.

Nitram can be attributed as another unqualified success for Kurzel, it’s a terrific piece of film making.

It's been over a decade since Jonathan Glazer was last on our cinema screens, and he returns with a deeply disturbing Oscar front runner.