THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Kleber Mendonca Filho's new feature pretty much defies categorisation- it's an astonishing piece of work.

Richard Linklater's recreates the making of Jean-Luc Godard's influential 1960 debut À Bout de Souffle in this gorgeous homage to New Wave.

Chloe Zhao's adaptation of Maggie O'Farrell's novel has simply bowled over critics and audiences alike.

If you've seen the posters for Marty Supreme, you'll no doubt have seen a huge number of four and five star reviews plastered all over it.

Richard Linklater's latest film is one of his finest.

Ryan Coogler's foray into horror (sort of) is a fascinating and frustrating experience.

Nickel Boys is a gut-wrenching, beautifully made film that lingers in your mind long after the credits roll.

James Mangold's Bob Dylan biopic is anchored and driven by an excellent central performance by Timothée Chalamet.

A near four-hour film spanning over thirty years, reviving the format of Vistavision, Brady Corbet's latest is epic in every sense.

This political thriller, dealing with the events of the Munich Olympics terrorist attack by Black September, is utterly relentless.

Robert Eggers's remake of FW Murnau’s 1922 German expressionist silent film is, as you'd imagine, quite something.

This fast paced fictionalised origin story of the Irish rap group is thrilling, offering many an important history lesson.

Steve McQueen's latest is solid but unexpectedly slight.

Conclave isn't the first of Robert Harris' fictional work to be adapted for the big screen, but it's without the biggest release so far.

The true story of Edgardo Mortara, a Jewish boy who was taken away from his family by the Catholic Church in 1850's Bologna.

After nearly a quarter of a century, Ridley Scott returns to Rome for some swords and sandals action.

Cillian Murphy is superb in Tim Mielant's low key Irish drama.

The astonishing tale of Lee Harper, an American model turned photographer who became a war correspondent during World War II.

Cédric Kahn's film is a gripping courtroom drama anchored by an excellent performance by Arieh Worthalter as Pierre Goldman.

Kevin Costner's passion project begins (and possibly ends) with this astonishing piece of cinema.