THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Only Leo Carax could offer up something like this- a forty minute tour-de-mayhem autobiographical piece of cinema that is as conceptual as any of his feature length films.

Paulo Sorrentino returns to Naples once again after his partially autobiographical The Hand of God (2021), with Parthenope.

Louise Courvoisier's debut full length feature is a rich, enchanting and frankly glorious piece of film making.

Canadian director Pascale Plante brings a fresh feel to the serial killer genre in this tight, well written thriller.

This fast paced fictionalised origin story of the Irish rap group is thrilling, offering many an important history lesson.

Rodrigo Moreno's slow burning heist drama thriller (of sorts) is one of the most intriguing films of this year.

The true story of Edgardo Mortara, a Jewish boy who was taken away from his family by the Catholic Church in 1850's Bologna.

Cédric Kahn's film is a gripping courtroom drama anchored by an excellent performance by Arieh Worthalter as Pierre Goldman.

Quentin Dupieux's film making is odd to say the very least, and Yannick is no different.

Bertrand Bonello's latest release does indeed, as claimed by many, almost defy classification.

Giacomo Abbruzzese's debut feature, without doubt, marks him out for future exploration.

This is cinema at its most magnificently joyous, and should be seen by everyone at the earliest opportunity.

Felipe Gálvez Haberle's debut feature is a brutal and uncompromising take on the exploitation and colonisation of Tierra del Fuego.

Lisandro Alonso's latest feature is not for those with short attentions spans.

Gela Babluani's stunning debut feature was made when he was only twenty-six years old, and he's only made one full length since.

Krishnamurti's deadpan romantic comedy is one of the finest in many a year.

Joachim Trier's film chronicles four years in the life of Julie, a thirty something young woman whose at a crossroads in life.

It's been over a decade since Jonathan Glazer was last on our cinema screens, and he returns with a deeply disturbing Oscar front runner.

Don't get this mixed up with the pointless American remake.

Patricia Riggen’s film ticks all the boxes you might expect for a true-life disaster film.