THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Crime 101, directed by Bart Layton, is adapted from a story in Winslow's 2020 novella, Broken. It's a Michael Mann film in all but name.

Park Chan-wook brings his usual mayhem to his latest feature, the tale of an unemployed paper worker, You Man-su (Lee Byung hun) who hatches a plan to murder his way back into the job market by killing off the competition.

A straight to Netflix thriller starring Matt Damon and Ben Affleck has its positives and negatives.

Nia DaCosta takes on the task of trying to inject some life into the 28 Days Later franchise. Or death perhaps.

If you've seen the posters for Marty Supreme, you'll no doubt have seen a huge number of four and five star reviews plastered all over it.

A third instalment stretches Cameron's world to breaking point, but somehow remains enjoyable.

Rian Johnson returns to the Knives Out franchise, with impressive results.

Jan-Ole Gerster's intriguing neo-noir thriller didn't get much of a wide release in the UK, which is a shame, because there's plenty to like about it.

We finally get the full, unfiltered cut of Kill Bill, as Tarantino always wanted. And it's brilliant.

Kelly Reichardt's latest might well be her best- and that's saying something.

Edgar Wright's adaptation of Stephen King's novel is a huge step up in quality from the original 1987 Arnie version.

David Mackenzie's Relay might well be one of the most frustrating films I've seen in a long time- and there's many reasons for this.

Kathryn Bigelow's new film gets a tiny cinematic release, but that doesn't remove any of its impact.

Paul Greengrass's depiction of the 2018 Camp Fire in California is astonishing, anchored by excellent performances from Matthew McConaughey and America Ferrera.

Darren Aronofksy's new film is baffling.

Every time Paul Thomas Anderson releases a new film now, all hell breaks loose.

Echo Valley is a surprisingly solid thriller that boasts excellent performances from its capable cast.

After stinking our cinemas out with Barbarian, Weapons proves that Zach Creggar is actually a very capable director.

The premise of Sean Byrne's Dangerous Animals could be described as Silence of the Lambs (1991) meets Jaws (1975).

Two Americans wake up in Dakar with explosive devices attached to them. Willem Dafoe is soon in their ears, telling them exactly what he wants them to do....