THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

There’s not a huge amount to see here, but this is still a well put together, surprisingly well-acted, and perfectly serviceable sharksploitation flick.

Tom Holland admirably tries to keep Spider-Man alive, but Marvel's formula insists on dragging him back down.

The Odyssey falls short of greatness, but its ambition dwarfs almost everything modern blockbuster cinema has to offer right now.

A familiar Spielberg return that feels more like repetition than revelation.

Ran Jing’s near-future body horror drama fuses parental ambition and unsettling technological control into a brilliantly chilling affair.

Set in a world where a tyrannical President Rabbit has monopolised the global carrot supply, Wang's film tells the tale of a husband-and-wife rabbit duo who fight back against the establishment.

David Mackenzie is back on form after 2025's disappointing Relay with this no holds barred London set thriller.

Gus Van Sant returns to our screen with this true crime thriller starring Bill Skarsgård as Tony Kiritsis, an Indianapolis businessman who, in 1977 kidnapped a mortgage broker named Richard Hall, and tied his neck to a 'dead man's wire.'

Andy Weir's novels are seemingly ripe for adaptation, and Phil Lord and Chris Miller's adaptation of Project Hail Mary is a blast.

Crime 101, directed by Bart Layton, is adapted from a story in Winslow's 2020 novella, Broken. It's a Michael Mann film in all but name.

Park Chan-wook brings his usual mayhem to his latest feature, the tale of an unemployed paper worker, You Man-su (Lee Byung hun) who hatches a plan to murder his way back into the job market by killing off the competition.

A straight to Netflix thriller starring Matt Damon and Ben Affleck has its positives and negatives.

Nia DaCosta takes on the task of trying to inject some life into the 28 Days Later franchise. Or death perhaps.

If you've seen the posters for Marty Supreme, you'll no doubt have seen a huge number of four and five star reviews plastered all over it.

A third instalment stretches Cameron's world to breaking point, but somehow remains enjoyable.

Rian Johnson returns to the Knives Out franchise, with impressive results.

Jan-Ole Gerster's intriguing neo-noir thriller didn't get much of a wide release in the UK, which is a shame, because there's plenty to like about it.

We finally get the full, unfiltered cut of Kill Bill, as Tarantino always wanted. And it's brilliant.

Kelly Reichardt's latest might well be her best- and that's saying something.

Edgar Wright's adaptation of Stephen King's novel is a huge step up in quality from the original 1987 Arnie version.