THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Kelly Reichardt's latest might well be her best- and that's saying something.

Darren Thornton's Four Mothers, is a frankly ludicrous film in terms of its premise- but eventually settles into an enjoyable comedy.

Echo Valley is a surprisingly solid thriller that boasts excellent performances from its capable cast.

The eighth installment of the Jurassic Park franchise has nothing to say, and says it badly.

Steven Soderbergh's second film of the year sees him experimenting in ghost stories- with mixed results.

Pixar's latest has been delayed for a year. It's been a while since they stumbled on something truly great, so how does Elio stack up?

Joshua Oppenheimer turns to music to portray a post-apocalyptic, impressive, bizarre and frustrating work.

Wes Anderson's latest might be the most Wes Anderson film he's ever made. We've heard that before.

Paulo Sorrentino returns to Naples once again after his partially autobiographical The Hand of God (2021), with Parthenope.

Louise Courvoisier's debut full length feature is a rich, enchanting and frankly glorious piece of film making.

Nickel Boys is a gut-wrenching, beautifully made film that lingers in your mind long after the credits roll.

The figure of Paul Verhoeven looms large over Gia Coppola's third feature, as does a towering performance from Pamela Anderson.

Mike Leigh, seasoned veteran of a hard hitting British drama returns to the (sort of) kitchen-sink sub-genre with Hard Truths.

A Real Pain is written, directed by, and stars Eisenberg as one of two Jewish American cousins traveling to Poland.

Babygirl manages to work as a modern erotically charged drama.

A near four-hour film spanning over thirty years, reviving the format of Vistavision, Brady Corbet's latest is epic in every sense.

This fast paced fictionalised origin story of the Irish rap group is thrilling, offering many an important history lesson.

Steve McQueen's latest is solid but unexpectedly slight.

The true story of Edgardo Mortara, a Jewish boy who was taken away from his family by the Catholic Church in 1850's Bologna.

Cillian Murphy is superb in Tim Mielant's low key Irish drama.