THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Kane Parsons has adapted his YouTube series for the big screen resulting in a truly unsettling experience.

Curry Barker's hugely impressive and deeply disturbing horror flick turns its simple premise into something far more sinister.

Ran Jing’s near-future body horror drama fuses parental ambition and unsettling technological control into a brilliantly chilling affair.

Rose of Nevada is a master at work, a craftsman so attuned with his tools that you stop watching the film and start inhabiting it. And I'm not convinced that it's even his best film.

Nia DaCosta takes on the task of trying to inject some life into the 28 Days Later franchise. Or death perhaps.

Guillermo del Toro's take on Frankenstein proves to be as epic as you might expect.

After stinking our cinemas out with Barbarian, Weapons proves that Zach Creggar is actually a very capable director.

The premise of Sean Byrne's Dangerous Animals could be described as Silence of the Lambs (1991) meets Jaws (1975).

Ryan Coogler's foray into horror (sort of) is a fascinating and frustrating experience.

Directors Danny and Michael Phillipou build on the enormous promise they hinted at in Talk To Me with this horribly effective chiller.

David Cronenberg returns to our screens once more, this time through gravestones, in what might be his most personal film yet.

Steven Soderbergh's second film of the year sees him experimenting in ghost stories- with mixed results.

Danny Boyle's sequel is a tonally uneven and ultimately disappointing return to the infected world he helped create nearly two decades ago.

Alex Garland's astonishing portrayal of combat might be one of the purest forms of cinema put to screen.

Robert Eggers's remake of FW Murnau’s 1922 German expressionist silent film is, as you'd imagine, quite something.

Hugh Grant's late career renaissance continues in this religious psychological thriller.

British folk-horror is a well worn genre by now, and Starve Acre is a decent enough entry into the genre.

There's a new Alien film out, that we didn't need or want. But....

Another 'horror' film arrives, claiming to be one of the greatest of the decade. It's not, but neither is it a dud.

Ti West's slasher/horror trilogy comes to a close with potentially its finest moment yet.