THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Chloe Zhao's adaptation of Maggie O'Farrell's novel has simply bowled over critics and audiences alike.

Richard Linklater's latest film is one of his finest.

James Griffiths gentle comedy is one of the finest of this year, with a brilliant performance at its centre from Tim Key.

David Mackenzie's Relay might well be one of the most frustrating films I've seen in a long time- and there's many reasons for this.

F1 should simply not work. And yet, somehow, it really does.

Joshua Oppenheimer turns to music to portray a post-apocalyptic, impressive, bizarre and frustrating work.

Paulo Sorrentino returns to Naples once again after his partially autobiographical The Hand of God (2021), with Parthenope.

Bridget returns for her fourth-and surely final- outing.

Babygirl manages to work as a modern erotically charged drama.

Robert Eggers's remake of FW Murnau’s 1922 German expressionist silent film is, as you'd imagine, quite something.

Rodrigo Moreno's slow burning heist drama thriller (of sorts) is one of the most intriguing films of this year.

Sean Baker's latest film has already won the Palme d'Or at Cannes, and should find itself with more accolades in the new year.

Todd Phillips' follow up to his 2019 hit eventually succumbs to its own lack of necessity, but is not without merit.

Based on a photo-book of the same name, Jeff Nichols latest film pulls great performances from its cast with not much plot pull from.

Richard Linklater's latest film sees him at his most playful.

Bertrand Bonello's latest release does indeed, as claimed by many, almost defy classification.

I, rather foolishly, didn't expect a Mad Max: Fury Road (2015) sequel after I walked out of a screening nine years ago. But the...

Rose Glass follows up her stately debut Saint Maud (2019) with this enthralling tale of love and revenge. Lou (Kristen Stewart) and...

I've been very apprehensive about Luca Guadagnino's new film ever since I saw the trailer. Guadagnino is an interesting director, and...

Michel Franco's isn't so much a film about dementia, but rather a relationship that happens to have dementia as a part of it.