THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Despite its sporting backdrop, Misha Calvert's thought-provoking drama is at its strongest when it's focusing on the off court horrors.

Set in a world where a tyrannical President Rabbit has monopolised the global carrot supply, Wang's film tells the tale of a husband-and-wife rabbit duo who fight back against the establishment.

Lara Everly's powerful short pulls the rug from under you with unexpected force.

Elena Parasco's gorgeous new short is set across a single afternoon in Queens as we get up close and personal with two young men, Tilo and Rune, who have shared a decade-long ritual of collecting and listening to answering machine tapes from vintage stores across New York City.

This is a film whose surface sparkles with nostalgia and invites you to spend time admiring its style while hoping you forget the lack of substance.

David Mackenzie is back on form after 2025's disappointing Relay with this no holds barred London set thriller.

The Michael Jackson biopic makes no mention whatsoever of anything that happened after 1988, and is as bland as anything.

Rose of Nevada is a master at work, a craftsman so attuned with his tools that you stop watching the film and start inhabiting it. And I'm not convinced that it's even his best film.

Gus Van Sant returns to our screen with this true crime thriller starring Bill Skarsgård as Tony Kiritsis, an Indianapolis businessman who, in 1977 kidnapped a mortgage broker named Richard Hall, and tied his neck to a 'dead man's wire.'

Paolo Sorrentino and Toni Servillo reunite for La Grazia, a funny, melancholy and gorgeous film about grief, regret and power in Rome.

For those with no interest in football, Saipan might be a tricky sell. But filmmakers Glenn Layburn and Lisa and Barros D'Sa prove you don't need to have such curiosity in the sport itself to find Saipan both fascinating and often compelling.

The Drama, starring Robert Pattinson and Zendaya, continues Kristopher Borgli's trend of biting satire albeit with a very relatable twist.

Andy Weir's novels are seemingly ripe for adaptation, and Phil Lord and Chris Miller's adaptation of Project Hail Mary is a blast.

Sirāt is a blast on the senses, and needs to be seen on the biggest screen possible.

There's a lot been made of Kaouther Ben Hania's new film, which proved a huge talking point at the Venice Film Festival when it premiered there last year. It tells the horrific ordeal of the titular six year old girl, who was killed by the Israel Defence Forces in Gaza back in 2024.

It feels like a long time now since we had a truly brilliant Pixar film. Can Hoppers change that?

Crime 101, directed by Bart Layton, is adapted from a story in Winslow's 2020 novella, Broken. It's a Michael Mann film in all but name.

Kleber Mendonca Filho's new feature pretty much defies categorisation- it's an astonishing piece of work.

Park Chan-wook brings his usual mayhem to his latest feature, the tale of an unemployed paper worker, You Man-su (Lee Byung hun) who hatches a plan to murder his way back into the job market by killing off the competition.

Richard Linklater's recreates the making of Jean-Luc Godard's influential 1960 debut À Bout de Souffle in this gorgeous homage to New Wave.