THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Kelly Reichardt's latest might well be her best- and that's saying something.

David Mackenzie's Relay might well be one of the most frustrating films I've seen in a long time- and there's many reasons for this.

Guillermo del Toro's take on Frankenstein proves to be as epic as you might expect.

Darren Thornton's Four Mothers, is a frankly ludicrous film in terms of its premise- but eventually settles into an enjoyable comedy.

Kathryn Bigelow's new film gets a tiny cinematic release, but that doesn't remove any of its impact.

Paul Greengrass's depiction of the 2018 Camp Fire in California is astonishing, anchored by excellent performances from Matthew McConaughey and America Ferrera.

The true story of a man who conned a CBS game show is enjoyable, if ultimately insubstantial.

Cillian Murphy proves once more that he's just as good in the minimalist films as the big blockbusters.

Kirk Jones biopic of John Davidson, a man who taught the nation about Tourette's Syndrome is a fine piece of work.

Darren Aronofksy's new film is baffling.

Every time Paul Thomas Anderson releases a new film now, all hell breaks loose.

Echo Valley is a surprisingly solid thriller that boasts excellent performances from its capable cast.

After stinking our cinemas out with Barbarian, Weapons proves that Zach Creggar is actually a very capable director.

Ari Aster returns to our screen with something completely different once more, after 2023's lengthy and divisive Beau is Afraid.

Two Americans wake up in Dakar with explosive devices attached to them. Willem Dafoe is soon in their ears, telling them exactly what he wants them to do....

Ryan Coogler's foray into horror (sort of) is a fascinating and frustrating experience.

F1 should simply not work. And yet, somehow, it really does.

David Cronenberg returns to our screens once more, this time through gravestones, in what might be his most personal film yet.

A woman on a first date start receiving threatening messages- and must make some hideous choices.

Danny Boyle's sequel is a tonally uneven and ultimately disappointing return to the infected world he helped create nearly two decades ago.