THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Oliver Stone's follow up to Wall Street is a far better film than it had any right to be.

It's an odd film that I hadn't heard of before, a true life biographical tale of Preston Tucker.

The Father is brutal, yet beautiful.

The tagline reads "Sometimes you've just gotta have faith". Last Christmas severely tested mine.

I was lucky enough to catch this at the London Film Festival back in 2022.

Michael Mann's biopic of Enzo Ferrari finally reaches us, nearly twenty five years after it was originally pitched.

Joanna Hogg follows up her two Souvenir films with this gripping chiller.

Bradley Cooper takes the to the director's chair for the second time with this biopic of American conductor Leonard Bernstein.

Although it's the closest I'll get to one, it doesn't stop this being dog dirt.

A Two hour advert for Warner Brothers.

Todd Haynes, as you may have predicted, unleashes one of 2023's best films.

I'm beginning to realise I'm a bit of a Nicholas Cage apologist.

Gary Oldman's one and only directorial feature is a bleak and brutal affair, that proves he's a talent behind the camera too.

Watching a film in 4DX is absolutely a different experience from seeing it in the traditional cinematic fashion.

Eddie Murphy makes a devilish deal with a lunatic elf before being plunged into two hours of madness.

Ken Loach completes his Broken Britain trilogy in fine fettle.

A powerful and harrowing documentary which attempts to analyse the disappearance of Saudi journalise Jamal Khashoggi.

Saltburn is a flawed, darkly satirical, hugely enjoyable follow up to Promising Young Women for Emerald Fennell.

Hanna Bergholm's superb psychological horror debut brings up as many questions as answers.

Wish is an attempt to bring together the best of Disney's back-catalogue with a heavy influence on Frozen (2013).