THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Saltburn is a flawed, darkly satirical, hugely enjoyable follow up to Promising Young Women for Emerald Fennell.

Hanna Bergholm's superb psychological horror debut brings up as many questions as answers.

Wish is an attempt to bring together the best of Disney's back-catalogue with a heavy influence on Frozen (2013).

Justine Triet's fantastic new film bagged the Palme d'Or at Cannes this year, a decision that I'd imagine no-one is losing sleep over.

Good but not great, solid if not spectacular.

Why, I hear you ask.

Sweat surrounds someone who can’t make a smoothie without broadcasting it live to the world; Sylwia's character arc is one of 2021's finest.

Ridley Scott films are almost always worth a watch, even when fairly mundane and plodding, as this is.

Jane Campion has produced something utterly engrossing, truly beautiful and genuinely gripping,

Disney’s Encanto introduces us to the Madrigal’s, a special family who live in a magical house in the mountains of Colombia.

Stephen Graham plays the head chef of a London restaurant, a man who’s struggling with personal problems that have begun to affect his work.

Julia Ducournau’s follow up to her superb 2016 debut Raw, Titane took home the Palme d’Or at Cannes a couple of years back.

Joanna Hogg's sequel to her 2019 film is a film about film, and it's absolutely superb.

Emerald Fennell was well deserving for her best original screenplay Oscar.

This is a sharp, well-scripted and thoroughly enjoyable affair.

The story of Tammy Faye and her husband Jim is not one that is unknown in contemporary society but it is one that had managed to pass me by.

Lightyear is purely a monetary exercise as you’d expect, but has a handful of good ideas that attempt to justify its existence beyond that.

Ninja Thyberg has produced a fine film that grips and shocks you, keeps you involved throughout.

Licorice Pizza shouldn’t be pulled apart, it should be experienced, enjoyed, and ultimately, probably loved.

Jeymes Samuel’s western aims to right the wrongs of older westerns by offering a more accurate cultural portrayal of the Wild West.