THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Kane Parsons has adapted his YouTube series for the big screen resulting in a truly unsettling experience.

Curry Barker's hugely impressive and deeply disturbing horror flick turns its simple premise into something far more sinister.

Ran Jing’s near-future body horror drama fuses parental ambition and unsettling technological control into a brilliantly chilling affair.

Despite its sporting backdrop, Misha Calvert's thought-provoking drama is at its strongest when it's focusing on the off court horrors.

Set in a world where a tyrannical President Rabbit has monopolised the global carrot supply, Wang's film tells the tale of a husband-and-wife rabbit duo who fight back against the establishment.

Lara Everly's powerful short pulls the rug from under you with unexpected force.

Elena Parasco's gorgeous new short is set across a single afternoon in Queens as we get up close and personal with two young men, Tilo and Rune, who have shared a decade-long ritual of collecting and listening to answering machine tapes from vintage stores across New York City.

This is a film whose surface sparkles with nostalgia and invites you to spend time admiring its style while hoping you forget the lack of substance.

David Mackenzie is back on form after 2025's disappointing Relay with this no holds barred London set thriller.

Hugh Jackman has been mercilessly promoting this new cosy crime caper leading up to its release, or perhaps it just feels like that because he's featured on an advert for the film during every trip to the cinema in the last month.

The Michael Jackson biopic makes no mention whatsoever of anything that happened after 1988, and is as bland as anything.

Rose of Nevada is a master at work, a craftsman so attuned with his tools that you stop watching the film and start inhabiting it. And I'm not convinced that it's even his best film.