THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

It's been over a decade since Jonathan Glazer was last on our cinema screens, and he returns with a deeply disturbing Oscar front runner.

Don't get this mixed up with the pointless American remake.

Patricia Riggen’s film ticks all the boxes you might expect for a true-life disaster film.

This was the first of Justine Triet’s films that I’ve seen, and on this form I will be checking out the rest of her back catalogue ASAP.

You’d think that one of the last things the cinematic world needed was a new Predator film, but this breathes fresh life into the franchise.

J.A Bayona's account of the Uruguayan Air Force Flight 571 crash and its survivors in the Andes in 1972 is a tour de force.

This is fantastic schooling in low-key effectiveness.

This is Director Paolo Taviani’s first solo film as director since the death of his brother and film making partner Vittorio.

A fictional account of one year in the life of Empress Elisabeth of Austria, with a brilliant central performance from Vicky Krieps.

I was lucky enough to catch this at the London Film Festival back in 2022.

Yojimbo is a very impressive addition to Kurosawa's canon.

Agnes Varda's laugh out loud documentary short combines wit and information to paint an innovative portrait of the Côte d'Azur.

Tackling the long asked question of where the line is between art and porn, Knife + Heart makes the most compelling case yet.

Gibson has learnt lessons from Braveheart, and proves that he really is a director to be reckoned with when he is this focused.

Rare Exports is a really interesting film, and a terrific alternative if you’re sick of your dragging festive favourites this year.

Paul Verhoeven returns to his native Netherlands after two decades directing English language films in this World War II thriller.

Cassandre flits from one Tinder date to another as she flies all over the world as a flight attendant for a low fares airline.

A powerful and harrowing documentary which attempts to analyse the disappearance of Saudi journalise Jamal Khashoggi.

Bi Gan’s mesmeric tale of a man, Luo, who returns to his hometown shortly after the death of his Father, is split into two differing halves.

However, Herzog’s vision of Count Dracula more than justifies its existence, mainly by being an absolutely superb piece of film making.