THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Joshua Oppenheimer turns to music to portray a post-apocalyptic, impressive, bizarre and frustrating work.

Wes Anderson's latest might be the most Wes Anderson film he's ever made. We've heard that before.

Ethan Hunt returns for what appears to be the final time, in an insane conclusion to the series.

Paulo Sorrentino returns to Naples once again after his partially autobiographical The Hand of God (2021), with Parthenope.

The Surfer is thoroughly entertaining and might contain the best Nicolas Cage performance of this decade.

Another Simple Favour is one of the worst films I have seen in some time.

Louise Courvoisier's debut full length feature is a rich, enchanting and frankly glorious piece of film making.

Alex Garland's astonishing portrayal of combat might be one of the purest forms of cinema put to screen.

James Hawes' The Amateur does precisely what is says on the tin.

Steven Soderbergh's new film sees him firing on all cylinders.

Mickey 17, Bong Joon-ho's first film after the Oscar winning Parasite (2019), is an enjoyable sci-fi thriller with standout performances.

Nickel Boys is a gut-wrenching, beautifully made film that lingers in your mind long after the credits roll.

Latvian's entry for the Academy Awards, Flow deservedly walked off with the Oscar for Best Animated Feature this year. It's a joy.

The figure of Paul Verhoeven looms large over Gia Coppola's third feature, as does a towering performance from Pamela Anderson.

Bridget returns for her fourth-and surely final- outing.

Unleashing a performance of Hamlet within Grand Theft Auto V Online sounds like utter madness. And it is.

Mike Leigh, seasoned veteran of a hard hitting British drama returns to the (sort of) kitchen-sink sub-genre with Hard Truths.

A Real Pain is written, directed by, and stars Eisenberg as one of two Jewish American cousins traveling to Poland.

Babygirl manages to work as a modern erotically charged drama.

James Mangold's Bob Dylan biopic is anchored and driven by an excellent central performance by Timothée Chalamet.