THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Krishnamurti's deadpan romantic comedy is one of the finest in many a year.

This is Brian de Palma having fun, and he should really do it more often.

Todd Phillips brings the comedic elements of his repertoire to this entertaining true life tale.

Back in 2005 Pierce Brosnan was still figuring out where his acting career was going post James Bond.

Joachim Trier's film chronicles four years in the life of Julie, a thirty something young woman whose at a crossroads in life.

Rich in originality as well as its animation and storytelling, Cryptozoo is unlike anything I'd witnessed before.

If you’re watching this you should know exactly what you’re getting.

Taking on a portmanteau style picture is something that would seem to fit right into Anderson’s mantra.

As you know, I've banged on about my love for Paul Verhoeven repeatedly, and Total Recall does nothing to stop that love.

Richard Kelly's first outing as directer since Donnie Darko (2001) was supposedly so bad in its original , it was deemed unwatchable.

I have to confess, that despite thirteen BAFTA nominations and five Oscar nominations, Hope & Glory baffled me.

The story of a teenage cartoonist who rejects the comforts of his own life in search of purpose and soul behind his work.

The Forgiven is an odd film to classify, but I have to say that I laughed consistently throughout at least two thirds of the film.

Alexander Payne returns to film-making with his finest piece of work since Sideways (2004). And that's saying something.

Yorgos Lanthimos proves he's lost none of his killer comedic touch.

Kauffman can be brilliant, but also baffling, and I'm Thinking Of Ending Things falls somewhere in the middle.

I appear to be in a minority when it comes to Woody Allen’s film making in that I’m a really big fan of a lot of his later work.

Alex Garland’s foray into toxic masculinity is a subject he’s dealt with in snippets before, although not this aggressively.

A fictional account of one year in the life of Empress Elisabeth of Austria, with a brilliant central performance from Vicky Krieps.

Christos Nikou’s English-language debut has been on the wrong end of some fairly negative reviews since its release.