THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

This fast paced fictionalised origin story of the Irish rap group is thrilling, offering many an important history lesson.

Steve McQueen's latest is solid but unexpectedly slight.

Conclave isn't the first of Robert Harris' fictional work to be adapted for the big screen, but it's without the biggest release so far.

Rodrigo Moreno's slow burning heist drama thriller (of sorts) is one of the most intriguing films of this year.

Sean Baker's latest film has already won the Palme d'Or at Cannes, and should find itself with more accolades in the new year.

Eastwood's 40th film as director at the age of 94 proves he's as consistent and engaging as ever.

The true story of Edgardo Mortara, a Jewish boy who was taken away from his family by the Catholic Church in 1850's Bologna.

Hugh Grant's late career renaissance continues in this religious psychological thriller.

JT Moller invokes the exploitation films of the seventies in this entertainingly insubstantial offering.

After nearly a quarter of a century, Ridley Scott returns to Rome for some swords and sandals action.

Cillian Murphy is superb in Tim Mielant's low key Irish drama.

After much cajoling and promises of toys and other such things, I finally persuaded my daughter to come and watch The Wild Robot with me.

British folk-horror is a well worn genre by now, and Starve Acre is a decent enough entry into the genre.

Todd Phillips' follow up to his 2019 hit eventually succumbs to its own lack of necessity, but is not without merit.

The astonishing tale of Lee Harper, an American model turned photographer who became a war correspondent during World War II.

Cédric Kahn's film is a gripping courtroom drama anchored by an excellent performance by Arieh Worthalter as Pierre Goldman.

Coralie Fargeat's follow up to Revenge is a rip-roaring body horror that fully immerses and entertains.

There's a new Alien film out, that we didn't need or want. But....

Zoe Kravitz's debut feature is an assured, if flawed, foray into control and manipulation.

Another 'horror' film arrives, claiming to be one of the greatest of the decade. It's not, but neither is it a dud.