THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Christos Nikou’s English-language debut has been on the wrong end of some fairly negative reviews since its release.

Michael Mann's biopic of Enzo Ferrari finally reaches us, nearly twenty five years after it was originally pitched.

Joanna Hogg follows up her two Souvenir films with this gripping chiller.

Bradley Cooper takes the to the director's chair for the second time with this biopic of American conductor Leonard Bernstein.

Although it's the closest I'll get to one, it doesn't stop this being dog dirt.

Agnes Varda's laugh out loud documentary short combines wit and information to paint an innovative portrait of the Côte d'Azur.

Is Illumination's take on the Christmas Scrooge any good? More pertinently, is there any need for it?

Tackling the long asked question of where the line is between art and porn, Knife + Heart makes the most compelling case yet.

Todd Haynes, as you may have predicted, unleashes one of 2023's best films.

I'm beginning to realise I'm a bit of a Nicholas Cage apologist.

Clocking in at just over a slight six minutes, this fascinating document depicts workers making Christmas crackers over a century ago.

Rare Exports is a really interesting film, and a terrific alternative if you’re sick of your dragging festive favourites this year.

It’s crude, nasty, and doesn’t care who it offends.

I was surprised and thrilled at how terrific Bob Clark’s horror is.

Eddie Murphy makes a devilish deal with a lunatic elf before being plunged into two hours of madness.

Detour is a wonderful reminder of the Noirs of the thirties and fourties.

Another film about someone dressing up as Santa and going on a kill spree.

Ken Loach completes his Broken Britain trilogy in fine fettle.

For the moment we have to make do with Ridley Scott's shorter version of Napoleon.

Saltburn is a flawed, darkly satirical, hugely enjoyable follow up to Promising Young Women for Emerald Fennell.