THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Richard Linklater's crowning trilogy comes to a spellbinding end.

Emma Seligman’s directorial debut, adapted from her 2018 short of the same name, was one of the best films of 2021.

What a terrific film.

Once again, after 2016's bizarre Swiss Army Man, director Daniel Scheinert has come up trumps once more in the unconventional stakes.

What an absolute blast the Top Gun sequel is.

Ivan Sen's low-key thriller is probably best known from the more recent television series it spawned (2018-2022) which I haven't seen.

Craig's final outing as Bond once again nails the cliche that he'll be sorely missed in the role.

Hidden Agenda wouldn’t be the last time Ken Loach dealt with issues in Ireland...

A multilayered tale of a con-man who, with the help of an orphaned pick-pocket, devises a plot to seduce and bilk a Japanese woman.

Gaspar Noe can be fascinatingly superb (Irreversible [2002]) but also infuriatingly dull (Love 3D [2015]). Climax is absolutely the former.

One Man. One Masterpiece. One Very Big Mistake. Was the tagline for Bean. And, it kinda is.

It's almost unbelievable to think that this is Celine Song's debut film such is the craftsmanship and beauty of Past Lives.

Based on the true life exploits of Frank Morris (Eastwood) an inmate of Alcatraz in 1962.

Arguably the pinnacle of the heist genre, Dassin’s wonderful French thriller is without doubt one of the most influential films of all time.

Another Howard Hawks masterpiece, starring John Wayne.

Charlotte Wells’ quite exceptional debut feature is heavily autobiographical, drawing on her own relationship with her dad.

Back in 2003, Clint Eastwood was the first man to adapt a Dennis Lehane novel, and he did it superbly.

Ruben Ostlund’s latest feature won him his second Palm d’Or prize at Cannes this year and it’s easy to see why the jury enjoyed this one.

Richard Linklater's partial biopic is a wonderful depiction of possibility and childhood dreams.

Mia Hanson-Love’s seventh full-length film isn’t simply a two-hour homage to the films of Ingmar Bergman as its title may suggest.