THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

This is cinema at its most magnificently joyous, and should be seen by everyone at the earliest opportunity.

Felipe Gálvez Haberle's debut feature is a brutal and uncompromising take on the exploitation and colonisation of Tierra del Fuego.

Lisandro Alonso's latest feature is not for those with short attentions spans.

Emergency leaves its questions hanging, as well as satisfyingly bringing its own story to a conclusion.

Thirty years in gestation, this dystopian stop motion feature is the brainchild of special effects master Phil Tippett.

After much delay, Denis Villeneuve finally returns us to Arrakis for more majestic visuals and spectacular fight sequences.

If you didn't know that Reality was based on, well, reality, you'd be forgiven dismissing this as very odd.

Wicked Little Letters' trailer sells it as something that is slightly misleading.

The Kitchen tells the story of a funeral-service worker trying to work his way out of a housing a estate in a futuristic London.

Krishnamurti's deadpan romantic comedy is one of the finest in many a year.

Ford goes out with a bang, but the series goes out with a digital whimper.

Joachim Trier's film chronicles four years in the life of Julie, a thirty something young woman whose at a crossroads in life.

Nitram can be attributed as another unqualified success for Kurzel, it’s a terrific piece of film making.

Did we need a sequel to Chicken Run?

Illumination somehow fail to release something without a minion in sight.

Cord Jefferson's debut feature is at times hilarious, consistently heartfelt and although flawed is deserving of its Oscar nominations.

It's been over a decade since Jonathan Glazer was last on our cinema screens, and he returns with a deeply disturbing Oscar front runner.

Charting the rise and fall of the eccentric and unique Scala cinema in King's Cross, this Doc is a vital piece of cinematic history.

Rich in originality as well as its animation and storytelling, Cryptozoo is unlike anything I'd witnessed before.

Taking on a portmanteau style picture is something that would seem to fit right into Anderson’s mantra.