THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Andrew Haigh's gorgeous new film is a tantalising yet traumatic delve into loneliness, loss and rejection.

The story of a teenage cartoonist who rejects the comforts of his own life in search of purpose and soul behind his work.

The Forgiven is an odd film to classify, but I have to say that I laughed consistently throughout at least two thirds of the film.

The majority of critics found much to like here, I thought it curtailed quite dreadfully.

After months of pleading, I finally persuaded my daughter to see Wonka with me.

Alexander Payne returns to film-making with his finest piece of work since Sideways (2004). And that's saying something.

Set as a prequel to the original Despicable Me trilogy, we follow a young Gru as he attempts to become a part of the infamous ‘Vicious 6’.

You’d think that one of the last things the cinematic world needed was a new Predator film, but this breathes fresh life into the franchise.

George Miller has apparently been wanting to make this film for years.

Surgery is the new sex, according to Cronenberg's latest film.

This has been screening now for many, many months in theaters, and is also now out on Blu-ray and DVD. I saw this at a Movies 4 Juniors...

This is one of the grandest Batman adaptations to date, certainly in the realms of its animated world.

J.A Bayona's account of the Uruguayan Air Force Flight 571 crash and its survivors in the Andes in 1972 is a tour de force.

Kauffman can be brilliant, but also baffling, and I'm Thinking Of Ending Things falls somewhere in the middle.

King tells the true story of William O'Neal, a petty criminal who avoids jail time by agreeing to an FBI plea deal.

Fans of Duncan Jones' sci-fi masterpiece Moon (2009), or Alex Garland's Ex Machina (2014) will feel in eerily familiar territory here.

The Father is brutal, yet beautiful.

Alex Garland’s foray into toxic masculinity is a subject he’s dealt with in snippets before, although not this aggressively.

This is fantastic schooling in low-key effectiveness.

This is Director Paolo Taviani’s first solo film as director since the death of his brother and film making partner Vittorio.