THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Mickey 17, Bong Joon-ho's first film after the Oscar winning Parasite (2019), is an enjoyable sci-fi thriller with standout performances.

Nickel Boys is a gut-wrenching, beautifully made film that lingers in your mind long after the credits roll.

Latvian's entry for the Academy Awards, Flow deservedly walked off with the Oscar for Best Animated Feature this year. It's a joy.

The figure of Paul Verhoeven looms large over Gia Coppola's third feature, as does a towering performance from Pamela Anderson.

Bridget returns for her fourth-and surely final- outing.

Unleashing a performance of Hamlet within Grand Theft Auto V Online sounds like utter madness. And it is.

Mike Leigh, seasoned veteran of a hard hitting British drama returns to the (sort of) kitchen-sink sub-genre with Hard Truths.

A Real Pain is written, directed by, and stars Eisenberg as one of two Jewish American cousins traveling to Poland.

Babygirl manages to work as a modern erotically charged drama.

James Mangold's Bob Dylan biopic is anchored and driven by an excellent central performance by Timothée Chalamet.

A near four-hour film spanning over thirty years, reviving the format of Vistavision, Brady Corbet's latest is epic in every sense.

This political thriller, dealing with the events of the Munich Olympics terrorist attack by Black September, is utterly relentless.

Robert Eggers's remake of FW Murnau’s 1922 German expressionist silent film is, as you'd imagine, quite something.

Canadian director Pascale Plante brings a fresh feel to the serial killer genre in this tight, well written thriller.

This fast paced fictionalised origin story of the Irish rap group is thrilling, offering many an important history lesson.

Steve McQueen's latest is solid but unexpectedly slight.

Conclave isn't the first of Robert Harris' fictional work to be adapted for the big screen, but it's without the biggest release so far.

Rodrigo Moreno's slow burning heist drama thriller (of sorts) is one of the most intriguing films of this year.

Sean Baker's latest film has already won the Palme d'Or at Cannes, and should find itself with more accolades in the new year.

Eastwood's 40th film as director at the age of 94 proves he's as consistent and engaging as ever.