THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Rare Exports is a really interesting film, and a terrific alternative if you’re sick of your dragging festive favourites this year.

It’s crude, nasty, and doesn’t care who it offends.

It's mad.

The director’s cut is three hours long, and Flanagan proves that taking the time to tell a story in this instance is preferable.

Bi Gan’s mesmeric tale of a man, Luo, who returns to his hometown shortly after the death of his Father, is split into two differing halves.

Diao Yinan follows up his Berlin Golden Bear win for Black Coal, Thin Ice (2014) with this stylish neo-noir thriller.

This is the most interesting Lars Von Trier has been in a long time.

I really enjoyed Inherent Vice on first viewing, but was slightly confused as to why the trailer depicted it as an out and out comedy.

Fashion mogul Sir Richard McCreadie (Steve Coogan) prepares a ludicrously lavish and over the top 60th birthday party in Mykonos.

Zama is an officer of the Spanish crown, attempting to return to his family in Lerma from the town he is currently based in.

Maras has made this and put his own stamp on the film making itself, and this is an excellent debut feature.

It's a shame we haven't seen Paul Dano behind the camera more often, although I guess it's early days.

No, not that one.

Scream 4 has the right ideas in place, but succesfully impementing them for a fourth time proves tricky.

Michael Mann yet again proves his genius even if Blackhat is one of his slightly less brilliant offerings.

Viewed by many as Paulo Sorrentino’s magnum opus, The Great Beauty won the Oscar for best foreign language film in 2014.

I have literally no idea what happened in this movie.

The famine in Ireland in the late 1840’s is not a subject that has often been put to film. Lance Daly reminds us of the period's horrors.

Winner of the Palme d'Or in 2017, The Square is a fascinating experience.

An excellent reminder of why Annette Benning is simply wonderful in every respect.