THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Whoever wrote The Fifth Element must have surely been sectioned immediately on the films release.

Frequently held up as the finest of the Batman animated films, this is also a key feature in the future films of the franchise.

If you want to see the man who played Harry Potter engage in repeated acts of flatulence and use his erect penis as a sort of compass....

Since Steven Soderbergh retired back in 2013, he's managed to direct at least five full length films.

Tackling the long asked question of where the line is between art and porn, Knife + Heart makes the most compelling case yet.

I'm beginning to realise I'm a bit of a Nicholas Cage apologist.

Despite Roman Polanski’s infamous horror being widely regarded as one of the best horror films of all time, it suffers from its ending.

Sluizer’s film is gripping from start to finish, Hitchcockian at times in its delivery and suspense.

Unfortunately for Hollywoodland, the film that it most reminds you of is L.A Confidential (1997), which is never going to help your case.

The best way to approach Moonage Daydream is to simply let it engulf you in the same way Bowie’s music does.

A powerful and harrowing documentary which attempts to analyse the disappearance of Saudi journalise Jamal Khashoggi.

Saltburn is a flawed, darkly satirical, hugely enjoyable follow up to Promising Young Women for Emerald Fennell.

The director’s cut is three hours long, and Flanagan proves that taking the time to tell a story in this instance is preferable.

Bi Gan’s mesmeric tale of a man, Luo, who returns to his hometown shortly after the death of his Father, is split into two differing halves.

There’s not much, if anything that needs to be added to the discussion over John Huston’s masterful 1941 neo noir thriller.

Michael Caine’s performance as Jack Carter is one of his finest, bringing a straight-faced display of brutality and edge to proceedings.

However, Herzog’s vision of Count Dracula more than justifies its existence, mainly by being an absolutely superb piece of film making.

Paulo Sorrentino’s second feature stars Sorrentino regular Toni Servillo as a man living a seemingly arduoust life in a Swiss hotel.

Hanna Bergholm's superb psychological horror debut brings up as many questions as answers.

Justine Triet's fantastic new film bagged the Palme d'Or at Cannes this year, a decision that I'd imagine no-one is losing sleep over.