THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Raising many eyebrows when it won the Oscar for Best Picture, John Madden’s film is a trudge through a dull love story.

Spencer is wrapped together as tightly as Diana herself; your heart is in your mouth for much of the film as you worry what’s coming next.

David Lowery expands his pallet into Arthurian legend in this Dev Patel fronted medieval thriller/drama.

Howard Hawks’ significant gangster pic was a comment upon the US government's lack of action against the gangster influence on society.

Maras has made this and put his own stamp on the film making itself, and this is an excellent debut feature.

Based on Jack London's 1909 novel, Pietro Marcello's adaptation transposes the story from California to Naples, with stunning effect.

The famine in Ireland in the late 1840’s is not a subject that has often been put to film. Lance Daly reminds us of the period's horrors.

One Night in Miami portrays a fictional meeting between some rather important historical figures back in 1964.

Despite the performances and the glorious look of the film, Ma Rainey's Black Bottom is somewhat of a disappointment.

Sorkin's film feels like a missed opportunity to analyse the events of 1969.

Individualism and self actualisation, as Curtis explains in this staggering piece of work, is not what it once was.

Kingdom of Heaven is unbelievably boring, not helped by the insufferable prancing of Orlando Bloom.

All the elements of Paul Verhoeven are on display in his latest, a tale of a lesbian nun in seventeenth century Italy.

Banned on release, Ken Russell's The Devils still remains without a full uncut release, which is a real shame.

Craig Gillespie's new film stars Paul Dano as Keith Gill, aka 'Roaring Kitty', the man who took on Wall Street back in 2020.

Robert Eggers hits his difficult third chapter after impressing us so vividly with The Witch (2015) and The Lighthouse (2019).

Richard Jewell is the true story of the security guard who discovered a pipe bomb in Centennial Olympic Park at the Atlanta Olympics.

Dear Comrades! is an exceptional portrayal of a little known Soviet atrocity.

Oliver Stone's historical behemoth now has four different versions to choose from. The Final Cut still isn't up to scratch.

Considered by many to be Werner Herzog’s magnum opus, Fitzcarraldo does nothing to prove those claims are worthless.