THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Charting the rise and fall of the eccentric and unique Scala cinema in King's Cross, this Doc is a vital piece of cinematic history.

For the most part, Flags Of Our Fathers is Eastwood performing at his consistently top level.

I have to confess, that despite thirteen BAFTA nominations and five Oscar nominations, Hope & Glory baffled me.

Patricia Riggen’s film ticks all the boxes you might expect for a true-life disaster film.

Set amongst the settling dust of the Magna Carta signing, King John decides to renegade on the agreement and retake control of his country.

J.A Bayona's account of the Uruguayan Air Force Flight 571 crash and its survivors in the Andes in 1972 is a tour de force.

King tells the true story of William O'Neal, a petty criminal who avoids jail time by agreeing to an FBI plea deal.

I appear to be in a minority when it comes to Woody Allen’s film making in that I’m a really big fan of a lot of his later work.

This is Director Paolo Taviani’s first solo film as director since the death of his brother and film making partner Vittorio.

A fictional account of one year in the life of Empress Elisabeth of Austria, with a brilliant central performance from Vicky Krieps.

Michael Mann's biopic of Enzo Ferrari finally reaches us, nearly twenty five years after it was originally pitched.

Bradley Cooper takes the to the director's chair for the second time with this biopic of American conductor Leonard Bernstein.

Agnes Varda's laugh out loud documentary short combines wit and information to paint an innovative portrait of the Côte d'Azur.

Since Steven Soderbergh retired back in 2013, he's managed to direct at least five full length films.

Filmed at the height of the hippie movement, Easy Rider is an important contextual document of the era just over fifty years on.

Clocking in at just over a slight six minutes, this fascinating document depicts workers making Christmas crackers over a century ago.

I hadn't seen Gladiator for nineteen years, and I've wondered for a long time whether I would hold it in the same high regard on a re-watch.

Gibson has learnt lessons from Braveheart, and proves that he really is a director to be reckoned with when he is this focused.

Blonde is one of the most harrowing films I’ve seen in a while, as well as being bold, and flawed.

The best way to approach Moonage Daydream is to simply let it engulf you in the same way Bowie’s music does.