THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Did we need a sequel to Chicken Run?

Cord Jefferson's debut feature is at times hilarious, consistently heartfelt and although flawed is deserving of its Oscar nominations.

It's been over a decade since Jonathan Glazer was last on our cinema screens, and he returns with a deeply disturbing Oscar front runner.

Rich in originality as well as its animation and storytelling, Cryptozoo is unlike anything I'd witnessed before.

Taking on a portmanteau style picture is something that would seem to fit right into Anderson’s mantra.

Censor is a terrific piece of work, and Prano Bailey-Bond is a massive talent to look out for in the future.

There's not a huge amount left to say on Dr. No from my point of view, I've probably seen the film about twenty five times.

James Cameron went on to direct better Sci-Fi films, but this is an impressive blueprint.

As you know, I've banged on about my love for Paul Verhoeven repeatedly, and Total Recall does nothing to stop that love.

Don't get this mixed up with the pointless American remake.

Election Year offers a new, yet intriguing idea to approach the annual Purge, but still falls short of fully satisfying this film fan.

An American private eye returns to Japan to rescue a friends' daughter from the hands of the Yakuza.

Jane Campion's erotically charged thriller is not of the same ilk as more, straight up examples of the genre, and is a fine piece of work.

By rights, we shouldn't even have the chance to see this, Snyder's Justice League in its full, four hour format.

Andrew Haigh's gorgeous new film is a tantalising yet traumatic delve into loneliness, loss and rejection.

Funded and produced by Netflix, Bright sees David Ayer reuniting with Will Smith for the first time since the unwatchable Suicide Squad.

For the most part, Flags Of Our Fathers is Eastwood performing at his consistently top level.

Richard Kelly's first outing as directer since Donnie Darko (2001) was supposedly so bad in its original , it was deemed unwatchable.

I have to confess, that despite thirteen BAFTA nominations and five Oscar nominations, Hope & Glory baffled me.

Frank Oz’s film sits higher on the list of heist movies than it had any right to.