THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Zoe Kravitz's debut feature is an assured, if flawed, foray into control and manipulation.

Ti West's slasher/horror trilogy comes to a close with potentially its finest moment yet.

Quentin Dupieux's film making is odd to say the very least, and Yannick is no different.

Based on a photo-book of the same name, Jeff Nichols latest film pulls great performances from its cast with not much plot pull from.

Kevin Costner's passion project begins (and possibly ends) with this astonishing piece of cinema.

One of Pixar's most critically acclaimed films gets an almost inevitable sequel.

The Ross brother's new film could, at first glance, look like an absolute hellhole.

Bertrand Bonello's latest release does indeed, as claimed by many, almost defy classification.

Thankfully, Michael Bay left the Bad Boys franchise after 2003's truly appalling Bad Boys II. A sequel to 1995's original seemed...

To produce a high class survival thriller not based on a true story is a tricky mission to accomplish.

I, rather foolishly, didn't expect a Mad Max: Fury Road (2015) sequel after I walked out of a screening nine years ago. But the...

Despite the fact we didn't need another Planet of the Apes film, Kingdom adds a surprisingly decent string to the franchise's impressive bow

Rose Glass follows up her stately debut Saint Maud (2019) with this enthralling tale of love and revenge. Lou (Kristen Stewart) and...

I've been very apprehensive about Luca Guadagnino's new film ever since I saw the trailer. Guadagnino is an interesting director, and...

Tobe Hooper, Tobe Hooper, what hast thou done?

Giacomo Abbruzzese's debut feature, without doubt, marks him out for future exploration.

Alex Garland's latest film is supposedly his final bow as a director. He will be missed.

Michel Franco's isn't so much a film about dementia, but rather a relationship that happens to have dementia as a part of it.

This is cinema at its most magnificently joyous, and should be seen by everyone at the earliest opportunity.

Felipe Gálvez Haberle's debut feature is a brutal and uncompromising take on the exploitation and colonisation of Tierra del Fuego.