THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Ira Sachs' new film is a tale of love, heartbreak, and piercing narcissism in Paris.

Scorsese's latest epic once more proves that no-one does this sort of thing better.

Probably one of the most inevitable sequels of recent times, those crime fighting pups are back.

The tenth installment of the series has been dubbed a 'return to form'. Is it?

The Night of the 12th is a grim police procedural surrounding the murder of a young woman.

This turned out to be Glenda Jackson's final acting bow, she sadly passed away in June this year, but what a final performance.

At the ripe old age of seventy seven, Tommy Lee Jones continues to sink his teeth into admittedly less frequent appearances on our screen.

Daniel Goldhaber's eco thriller comes at a perfect time for climate activists.

Omar El Zohairy's debut full length feature comes with a tantalising set up; a loutish and controlling husband is turned into a chicken.

Thankfully- and surprisingly it has to be said- Talk to Me breaks the string of stinkers the horror genre has had to put up with recently.

It's almost unbelievable to think that this is Celine Song's debut film such is the craftsmanship and beauty of Past Lives.

Inspired by real events involving a Dutch couple in Santoalla, Sorogoyen's tension filled drama deserves more recognition.

The Fabelmans is based Steven Spielberg's own childhood and introduction to film in post-war America, an intriguing premise....

Cate Blanchett is a tour de force in Todd Field's latest, as a conductor who has to face accusations that may or may not be true.

Mark Jenkin returns with his follow up to his debut masterpiece Bait (2019) with this eerie folk chiller.

Davy Chou's second feature film concerns Freddie, a Korean adoptee brought up in France who on a whim decides to travel to Seoul.

One of the biggest surprises of the year.

Sarah Polley’s adaptation of Miriam Toews 2018 novel is an intricate and theological affair.

Sadly, Scream VI is absolute rubbish.

Brendon Fraser's Oscar winning performance was deserving of the accolades, but was the film itself?