THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

There's a new Garfield movie out, which despite no-one seemingly wanting one, has raked in cash.

Despite the fact we didn't need another Planet of the Apes film, Kingdom adds a surprisingly decent string to the franchise's impressive bow

Rose Glass follows up her stately debut Saint Maud (2019) with this enthralling tale of love and revenge. Lou (Kristen Stewart) and...

I've been very apprehensive about Luca Guadagnino's new film ever since I saw the trailer. Guadagnino is an interesting director, and...

Giacomo Abbruzzese's debut feature, without doubt, marks him out for future exploration.

Alex Garland's latest film is supposedly his final bow as a director. He will be missed.

Michel Franco's isn't so much a film about dementia, but rather a relationship that happens to have dementia as a part of it.

This is cinema at its most magnificently joyous, and should be seen by everyone at the earliest opportunity.

Felipe Gálvez Haberle's debut feature is a brutal and uncompromising take on the exploitation and colonisation of Tierra del Fuego.

Lisandro Alonso's latest feature is not for those with short attentions spans.

After much delay, Denis Villeneuve finally returns us to Arrakis for more majestic visuals and spectacular fight sequences.

Wicked Little Letters' trailer sells it as something that is slightly misleading.

The Kitchen tells the story of a funeral-service worker trying to work his way out of a housing a estate in a futuristic London.

Did we need a sequel to Chicken Run?

Illumination somehow fail to release something without a minion in sight.

Cord Jefferson's debut feature is at times hilarious, consistently heartfelt and although flawed is deserving of its Oscar nominations.

It's been over a decade since Jonathan Glazer was last on our cinema screens, and he returns with a deeply disturbing Oscar front runner.

Charting the rise and fall of the eccentric and unique Scala cinema in King's Cross, this Doc is a vital piece of cinematic history.

Andrew Haigh's gorgeous new film is a tantalising yet traumatic delve into loneliness, loss and rejection.

After months of pleading, I finally persuaded my daughter to see Wonka with me.