THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

Louise Courvoisier's debut full length feature is a rich, enchanting and frankly glorious piece of film making.

Alex Garland's astonishing portrayal of combat might be one of the purest forms of cinema put to screen.

James Hawes' The Amateur does precisely what is says on the tin.

Dog Man is mayhem of the highest order- and in this case, it's far from a bad thing.

Steven Soderbergh's new film sees him firing on all cylinders.

Another entry for the SpongeBob Universe, one which makes no more or less sense than its predecessors.

Mickey 17, Bong Joon-ho's first film after the Oscar winning Parasite (2019), is an enjoyable sci-fi thriller with standout performances.

Nickel Boys is a gut-wrenching, beautifully made film that lingers in your mind long after the credits roll.

Latvian's entry for the Academy Awards, Flow deservedly walked off with the Oscar for Best Animated Feature this year. It's a joy.

The figure of Paul Verhoeven looms large over Gia Coppola's third feature, as does a towering performance from Pamela Anderson.

Bridget returns for her fourth-and surely final- outing.

Unleashing a performance of Hamlet within Grand Theft Auto V Online sounds like utter madness. And it is.

Mike Leigh, seasoned veteran of a hard hitting British drama returns to the (sort of) kitchen-sink sub-genre with Hard Truths.

A Real Pain is written, directed by, and stars Eisenberg as one of two Jewish American cousins traveling to Poland.

Babygirl manages to work as a modern erotically charged drama.

James Mangold's Bob Dylan biopic is anchored and driven by an excellent central performance by Timothée Chalamet.

A near four-hour film spanning over thirty years, reviving the format of Vistavision, Brady Corbet's latest is epic in every sense.

This political thriller, dealing with the events of the Munich Olympics terrorist attack by Black September, is utterly relentless.

Robert Eggers's remake of FW Murnau’s 1922 German expressionist silent film is, as you'd imagine, quite something.

Canadian director Pascale Plante brings a fresh feel to the serial killer genre in this tight, well written thriller.