THE INTERNET'S MOST HONEST FILM REVIEWS. WHETHER YOU LIKE IT OR NOT.

The Candyman remake is desperately dull, and is so concerned with impressing its message, it almost forgets about the film.

How many reviews of Tenet have you read that quote the phrase "Don't try to understand it. Feel it" directly from the film? Well, add...

Maud, superbly played by Morfydd Clark, is a reclusive, pious young nurse, who devotes herself to the path of Christianity after a trauma.

Riz Ahmed has been a wonderful presence in the film world for a while now; but this is him at the peak of his powers.

Made for peanuts ($700,000) Andrew Patterson’s only credited work in film thus far is a decent stab at capturing the unknown.

Emma Seligman’s directorial debut, adapted from her 2018 short of the same name, was one of the best films of 2021.

Greyhound is hugely enjoyable, very well acted, with some excellent action set pieces.

What an absolute blast the Top Gun sequel is.

Daniel Goldhaber's eco thriller comes at a perfect time for climate activists.

Omar El Zohairy's debut full length feature comes with a tantalising set up; a loutish and controlling husband is turned into a chicken.

Craig's final outing as Bond once again nails the cliche that he'll be sorely missed in the role.

Thankfully- and surprisingly it has to be said- Talk to Me breaks the string of stinkers the horror genre has had to put up with recently.

Almost entirely without dialogue, Il Buco is inspired by a true story of the unmasking of a cave system in rural Calabria.

A detective investigating a man's death in the mountains ends up meeting and developing feelings for the dead man's mysterious wife.

Charlotte Wells’ quite exceptional debut feature is heavily autobiographical, drawing on her own relationship with her dad.

Yet another multiversing romp aims higher than its predecessors and impressively hits more than it misses.

Rian Johnson’s eagerly awaited sequel to his hugely enjoyable 2019 murder mystery Knives Out is half excellent, half drivel.

Inspired by real events involving a Dutch couple in Santoalla, Sorogoyen's tension filled drama deserves more recognition.

Ruben Ostlund’s latest feature won him his second Palm d’Or prize at Cannes this year and it’s easy to see why the jury enjoyed this one.

Richard Linklater's partial biopic is a wonderful depiction of possibility and childhood dreams.